This very date last January I had just come out of a 5 1/2 hour long operation in which my prostate gland was removed by robotic surgery. Results since then show that I am free of cancer cells.
What’s more, my waterworks has recovered almost (but not quite) completely, so that I am almost fully continent. I just have to watch it at night after having a few alcoholic drinks.
However, my sexual functioning is pretty well moribund, which is a great pity - although I haven’t given up all hope yet.
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So you’d think that having had a potential death sentence removed from hovering over me, that life would be hunky-dory. Not unexpectedly, it hasn’t always been so. I always find some things to get upset, angry, anxious or depressed about.
I suppose that makes me a normal human being after all, instead of some sort of saint.
But yesterday I found that two jazz bands of mine that I was scheduled to play with at the Grampians Jazz Festival are not mentioned in the program. What’s more, the organizers say they never received my registration forms.
This means that the Jazz Travellers and Jazz Therapy apparently do not exist, and that my wife and I, and my fellow musicians, and their partners and a friend, having booked accommodation and made travel arrangements, are inconvenienced for the weekend of February 8-10th. Three of those musicians are in other bands, and so are not left out, but four other people are highly inconvenienced. To go to the jazz, they would have to pay $50 each, instead of much lower prices as friends of musos.
I know I mailed the forms, plus the cheque, because Glenyce watched me do it. I know posted it all on 26th November. But the cheque hasn’t been cashed, and the first I knew of the situation was a phone call from a friend to say we weren’t in the draft program, sent by mail.
I don’t know what went wrong, but I know it wasn’t something I did incorrectly.
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This has hit me very hard. I wish it didn’t but it did. I wish I was tougher, but I’m not. In the last few years I have become more emotionally labile; tears are apt to come over little things, usually when watching the news or a show on TV: something touches my heart unexpectedly and the moisture comes, along with the quivering lip. I hide it because it makes no sense and I can’t explain myself. I have sometimes left the room because I don’t want my wife to see it. It’s a nuisance.
After my friend phoned to tell me we weren’t on the draft program, realization of the true import swept over me like a cold, white, rigid cloud that froze my soul and clutched at my heart. In a dream I walked in to Glenyce to give her the news. Oh, I went through the steps needed to find out the truth; scanning my computer banking records (cheque not cashed); phoning the organizer (nothing received); jogging my memory of events (Glenyce saw me assemble the paperwork and make up the envelope).
It availed nothing. By now, the coldness had invaded my body. I felt faint and weak. I had trouble speaking.
It felt so bloody melodramatic!
I sat down to phone my fellow musicians. My mind was clouded. I asked my wife to sit by my side as I dialed Rob the drummer, who with his wife Fay is booked into accommodation at Hall’s Gap, together with their friend Mae, who will be $70 out of pocket. Then I rang Colin, our saxophone and clarinet player. He’s just separated from a wife who disliked his practising at home. He’s keen to get out and play jazz, and I’d given him this opportunity to get back into the scene. Then there’s Charles, our bass player - he’s OK, because he’s playing in two other bands. I rang Russell (reeds player), bearer of the bad news in the first place, and he’ll phone up Marshall (drummer) from Geelong. They’re OK, because they are in other bands, too.
Everyone was just as incredulous as me, and very understanding for me. But it’s a very hard thing to do.
Right now, my stomach is knotting up, there’s a pain in my chest and a lump in my throat. I feel weak and have to break off typing this.
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Why is this important to me? Well, back in 1988, after some years battling serious depression, I had to retire very early from my career as a chemistry lecturer - something I loved doing. It was necessary at the time, but that loss took a lot of getting over. I’ve never really recovered, unfortunately. I just have to accept that that’s what’s happened to me - and and is still affecting me. I wish I could let it go, but it doesn’t happen easily.
One thing I did then was to improve my piano-playing skills.
In 1994 I took some lessons from a well-known jazz piano player, Stephen Sedergreen, and 9 years later some from his father Bob. I’ve practiced thousands of hours. When I felt ready I got myself into a starting jazz band playing “traditional” or Dixieland jazz. I branched out and got to play with other bands, playing at country jazz festivals such as the Grampians, Inverloch, Merimbula, and other places. I’ve also played at quite a few paid gigs and done plenty of freebies. It’s quite hard to get paid work, and there’s competition from extremely good musicians.
A few years ago I started my own band called the Jazz Travellers to play a more modern style called mainstream, plus Latin, and various ballads. I’ve worked with singers, too, and played for a couple of amateur theatre shows.
Playing good quality jazz is something I aspire to, and I think I’m reasonably competent. I’ve become known to many around the scene here in Melbourne. I just want to play the music I like with competent, enthusiastic musicians who are prepared to rehearse. With a reeds player, Colin, and a drummer, Rob, I’ve been rehearsing, and we’ve have picked out the 16 tunes needed for the two sets you need to play to take part in a jazz festival. The reward is that you get to perform in public before discerning audiences, and can enjoy seeing all the other bands.
Glenyce and I have been looking forward to parking our caravan in the Hall’s Gap caravan park, enjoying the unique ambiance of that beautiful place, meeting all of our friends, and listening to some good jazz during the 3 days. It’s a place to play and be heard and judged by your peers, and to make new friends. We’ve been going on and off about for about 9 years.
But last year I had to pull out because of my prostatectomy in January.
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So you can see that I’ve a lot of emotional investment in appearing in the jazz festival. I have to try to be philosophical about it all. But I can do all the Rational Emotive Behaviour Therapy (REBT) positive self-talk that I can manage, but my autonomic nervous system has a mind of its own.
Actually, it is a mind of its own.
And no matter how cool I try to be about life’s little dealings with me, on this occasion I feel absolutely knocked for a row.
Here are the main tenets of rational emotive therapy that I need to apply to my present circumstances - these are the irrational beliefs that will prevent me from having a good life:-
(1) I must perform well to be approved of by others who are perceived significant.
(2) you must treat me fairly—if not, then it is horrible and I cannot bear it.
(3) conditions must be my way and if not I cannot stand to live in such a terrible and awful world.
To the extent that I can counteract those false beliefs, I can then live a healthier life.
I’m working on it!